VOCAL JAZZ ARRANGEMENTS |
BY JENNIFER BARNES |
|
(Click on any underlined title to listen to
an MP3 of that arrangement, |
Title |
Voicing/Setting |
Style |
Difficulty Level |
Availability |
Performed By |
All Glory, Laud and Honor |
SSATB |
Lilting 5/4 setting with one verse set in traditional 4/4 chorale style
|
III |
Manuscript
|
Discovery Singers, from "Hallelujah, What A Savior" |
Christmas
Waltz, The (long) |
SATB or SSATBB (two separate versions)
|
Light and lilting jazz waltz
|
III
(SATB);
|
Manuscript |
Midi Demo |
Christ The Lord Is Risen Today |
SSAATTBB (double choir) with a male & female soloist |
Bright, hope-filled mood in a thick choral style |
IV |
Manuscript |
Discovery Singers (as above) |
Crown Him With Many Crowns |
SSATBB |
Majestic and harmonically lush
|
V- |
Manuscript |
Discovery Singers (as above) |
He's Got The Whole World In His Hands |
SSATB (including female soloist) |
Jazz (swing) feel w/ bass line and various backgrounds
|
III+ |
Manuscript |
Word of Mouth |
I've Got No Strings |
SSATBB (also available w/ rh. section) |
Alternating jazz waltz and swing feel, including soli section and "shout" chorus! |
V |
Manuscript |
Bonnie Herman, Jennifer Barnes, Bob Bowker, Greg Jasperse |
Kalimba |
9 independent vocal parts; some doubling |
Straight-8th feel with a backbeat; various Latin-derived rhythms throughout |
IV |
UNC Jazz Press |
Gold Company (Western Michigan University) |
Merry Christmas, Darling |
SATB |
A la Karen Carpenter's original ballad recording |
III |
Manuscript |
The Carpenters |
My Jesus, I Love Thee |
SSATTB |
Beautiful, rich hymn setting |
IV |
Manuscript |
Discovery Singers (as above) |
My Romance |
SSATB |
Ensemble ballad with soloist |
III |
Manuscript |
U. of Miami JV2 |
Nearness Of You, The |
SSATBB |
Ensemble ballad, lush harmonies |
V |
Manuscript |
Chicago A Cappella |
The Star-Spangled Banner |
SATB |
Interesting harmonies, solid voice-leading; modulation to ramp up to the ending! |
IV- |
Manuscript |
Midi Demo |
Title |
Voicing/Setting |
Style |
Difficulty Level |
Availability |
Performed By |
Art's Groove |
SATB w/ rh. (also available for SSAA) |
Bebop; blues with a bridge; wordless vocal w/ great improv possibilities.
|
IV+ |
Manuscript
|
Steve Allee Quintet (composer); off the CD "New York in the Fifties" |
Brazasia |
SATB w/ rh., incl opt. perc., guitar and synth parts. |
Medium-tempo Brazilian pop/jazz (original artist: Yutaka) |
III+ |
Manuscript |
Blue Skies |
Confide In Me |
SATB w/ male soloist(s) and rh. (synth or real organ and elec. Guitar desirable, but not essential) |
Energetic, bluesy shuffle. Features soloists with ensemble in primarily background role |
III+ |
UNC Jazz Press |
The Manhattan Transfer, from "Offbeat of Avenues" |
Get Out Of Town |
SATB w/ rh. |
"Vibe" oriented funk groove w/ a cappella breakdown section. |
IV- |
Manuscript |
USC Studio Vocal Jazz Ensemble |
Gingerbread Boy |
SATB w/ rh. |
Swing; straight-ahead wordless blues head chart. |
II |
UNC Jazz Press |
Jimmy Heath |
Gingerbread Boy |
SSATBB w/ rh. |
Salsa! Still a wordless head chart, but with a complex a cappella soli section and thicker harmonies throughout. |
IV |
UNC Jazz Press |
Gold Company |
Hello |
SSATBB w/ rh. (electric bass & keyboard preferred) |
Pop/funk tune featuring female soloists and hot background vocal ensemble figures. |
IV |
UNC Jazz Press |
Dianne Reeves (w/ Take 6) |
I Could Write A Book |
SATB w/ rh. |
Swing feel w/ lengthy rubato vocal/piano duo intro. |
II+ |
Midi Demo |
|
I Don't Stand A Ghost Of A Chance With You (Chance With A Ghost) |
SATB w/ rh. |
Medium swing to half-time ballad. Written soli style from a hip Meredith D'Ambrosio "improvention"; then ballad solo with dramatic ensemble finish. |
V |
Manuscript |
Rush Hour (Roosevelt University CCPA) |
I Love You |
SATB w/ rh. |
Bossa nova with lush harmonies and very challenging soli section. |
IV+ |
Manuscript |
Gold Company Sextet |
I'm Old Fashioned |
SATB w/ rh. |
Bossa nova; lush but accessible harmonies. Short improv solos "trade" with ensemble phrases. |
III |
UNC Jazz Press |
Take One (Niles North High School) |
IÕve Got No Strings |
SATB w/ rh. |
Jazz waltz with swinging bridges! Challenging soli section with a "shout" chorus. |
V |
Manuscript |
The New Virginians (Virginia Polytechnic University |
I've Never Been In Love Before |
SATB w/ rh. |
Straight-ahead medium swinger, half-chorus soli with lyrics. Lots of fun! (Also available as Level III minus the soli from me) |
IV- (or III for version w/o soli) |
UNC Jazz Press |
Iowa All-State Jazz Choir (high school) |
In The Still Of The Night/Night And Day (medley) |
SATB w/ rh. |
Bossa nova & ballad medley; ideal for a choral group "pop" oriented program. |
III |
Manuscript |
Midi Demo |
Moment's Notice |
SATB w/ rh. |
Wordless bebop; improv vehicle |
IV |
UNC Jazz Press |
Bobby Lewis (trumpet) w/ Jennifer Barnes Vocal Group |
My Love For You |
SATB w/ soloist and rh. |
Gorgeous ballad (a cappella & accompanied) with bossa nova soli section, returns to ballad. Feature for alto soloist. |
V |
Manuscript |
Gold Company w/ Jennifer Barnes (coming soon!) |
The Offbeat Of Avenues |
SATB w/ rh. |
As perf. by Manhattan Transfer; synth. kbds. would strengthen it (parts included). 12/8 feel. |
IV |
Manuscript |
Manhattan Transfer |
Old Devil Moon |
SATB w/ rh. (also SSA or SSAA Ð see that section!) |
Alternating Latin/swing grooves; very accessible part-writing AND easy vamp chord changes for improv. |
III- |
UNC Jazz Press |
Jazzvox (Northern Illinois University) |
Out Of Town |
SSATTB w/ rh. (also SSAA Ð see that section) |
Burning fast, wordless, very challenging modern bebop head, as recorded by the Yellowjackets. Requires strong rh. section due to tempo. |
V |
UNC Jazz Press |
Genesis (Mt. Hood Community College). I also recommend the original recording: "Four Corners". |
Ruby Baby |
SSATB w/ rh. |
Blues-based shuffle; feature for pop/rock tenor soloist with hip background vocals. Very similar to the original Donald Fagen version. |
III |
Manuscript |
Donald Fagen |
Sermonette |
SAB w/ rh. |
As performed by Lambert, Hendricks & Ross; fun, gospel-inspired swinger. |
II |
Manuscript |
Lambert, Hendricks & Ross |
Stolen Moments |
SSATBB w/ instrumental solo and rh. sec. |
Straight-8th feel; trumpet feature (could adapt to any solo instrument) with lush background vocals throughout and some featured vocals. |
IV |
UNC Jazz Press |
Bobby Lewis (trumpet) w/ Jennifer Barnes Vocal Group |
Too Close For Comfort |
SATB w/ rh. |
Hard-swinging groove; straight-ahead ensemble writing with brief soli section and male/female duet. |
III+ |
Manuscript |
Pennsylvania All-State Vocal Jazz Ensemble (coming soon!) |
Watch What Happens |
SATB w/ rh.; also available as SAB w/ rh. |
Bossa nova & double-time samba feels alternating; short and long versions available (w/ or without extended soli) |
III |
UNC Jazz Press |
Jazz Incorporated (Hamilton High School) |
Young And Foolish |
SATB w/ rh. |
Straight-8th, modern feel; different kinds of vocal voicings and reharmonization give a neat flavor to this. |
III+ |
UNC Jazz Press |
USC Studio Vocal Jazz Ensemble |
Title |
Voicing/Setting |
Style |
Difficulty Level |
Availability |
Performed By |
Everybody Wants To Be A Cat |
3 parts w/ piano and opt. bass/drums |
Swing feel; lots of fun! Written for Glen Ellyn Children's Chorus (Chicago, IL)
|
Moderate |
Manuscript
|
(N/A) |
I Love A Piano |
(as above) |
Swing feel; terrific feature for strong pianist. |
(as above) |
Manuscript |
Glen Ellyn Children's Chorus |
The Most Wonderful Time Of The Year |
(as above) |
Swing feel; ideal for secular holiday program. |
(as above) |
Manuscript |
Glen Ellyn Children's Chorus |
Santa Claus Is CominÕ To Town |
(as above) |
(as above) |
(as above) |
Manuscript |
Glen Ellyn Children's Chorus |
Title |
Voicing/Setting |
Style |
Difficulty Level |
Availability |
Performed By |
Art's Groove |
SSAA w/ rh. (also available as SATB Ð see that section) |
Bebop; blues with a bridge; wordless vocal w/ great improv possibilities.
|
IV+ |
Manuscript
|
Steve Allee Quintet (composer); off the CD "New York in the Fifties" |
Green Dolphin Street |
SSAA w/ rh. |
Alternating bossa & swing feels; balanced between unison, 2-pt. & some 4-pt. writing. Written & improv solos. |
III |
UNC Jazz Press |
Midi Demo |
My Funny Valentine |
SSAA w/ rh. |
Feature for one or several soloists with bgvs and an a cappella rubato ensemble section. |
III |
UNC Jazz Press |
USC Studio Vocal Jazz Ensemble |
Ooh-Whee (The Carnival) |
SSAA w/ rh. (incl. Percussion) |
Brazilian-funk-pop tune as performed by Patti Austin. Lead vocals for one or several vocalists. Requires strong rhythm section. |
IV |
UNC Jazz Press |
Patti Austin (original) |
Out Of Town |
SSAA w/ rh. (also SATB Ð see that section) |
Burning fast, wordless, very challenging modern bebop head, as recorded by the Yellowjackets. Requires strong rh. section due to tempo. |
V |
UNC Jazz Press |
Yellowjackets (original) |
The Touch Of Your Lips |
SSAA w/ rh. |
Swing feel; balanced unison, 2 & 4-part writing; 1/2 chorus soli section. |
IV |
Manuscript |
USC Studio Vocal Jazz Ensemble |